Category Archives: Film

KOYAANISQATSI (SCREENING & LIVE SOUNDTRACK BY OLA)

This fantastic local act are presenting their musical talents in the visual arts world, a great collaboration of music and film is about to happen…LIVE!

Next month a screening of the 1982 documentary Koyaanisqatsi accompanied by an original soundtrack by Manchester based cinematic two piece OLA, will take place. This renowned documentary reveals how humanity has grown apart from nature.

Manchester duo OLA will be performing their live soundtrack to accompany a screening of Ron Fricke’s 1982 documentary film Koyaanisqatsi. OLA’s score crosses electronic, ambient, classical and pop into a cinematic soundtrack tied perfectly to the film’s themes and visuals.poster

Drawing its title from the Hopi word meaning “life out of balance,” this renowned documentary reveals how humanity has grown apart from nature. Featuring extensive footage of natural landscapes and elemental forces, the film gives way to many scenes of modern civilization and technology. Given its lack of narration and dialogue, the production makes its points solely through imagery and music, with many scenes either slowed down or sped up for dramatic effect.

The screening will also open with a short film by film-maker Paul Daly called I’Dismantle with a soundtrack by OLA.

The event take place at Kings Arm’s, Salford on Friday 14th of October from 7.30pm.

Book online here at www.wegottickets.com and call Kings Arms on 0161 832 3605 for more info. Tickets are priced £3 and can be brought from http://www.wegottickets.com/event/374096

 

Introducing Idiojack

We have the privilege of working with idiojack, a highly skilled group of media pro’s!

Find out a little bit more about them below and check out the video filmed and edited by Adam Mcgrath of the Ask My Bull EP Launch.

Idiojack Studio is a collection of creative professionals, based across the Northwest, who specialise in Film, Graphics and Web. Professionalism and friendliness are high on our agenda. We aim to please and are always 100% committed to each and every single project that we do.

Idiojack’s film department is run by Adam McGrath, who’s film-making experience is wide ranging to say the least. From creating a range of website content for a summer camp in America to a promo for a brand new campaign for men’s mental health charity “Street Soccer Academy”, as well as creating a music video for New York Tourists, as they supported Status Quo in front of 9,000 people.

Adam and his team revel in the diverse projects that they undertake and are always excited to take on new projects.

Email: idiojack@gmail.com

Website: idiojack.com

KINOFILM FESTIVAL – special highlights

Everything you need to know about KINO Film Festival This Week

‘7 Days, 7 Venues, over 200 films!’ Kino – Big on Shorts!

kino
Kinofilm, Manchester International Short Film & Animation Festival 2016 is all about creating an exciting platform to promote successful and emerging filmmakers through a broad variety of categories. The 13th edition of the festival takes place from February 22nd to 28th at alternative venues in central Manchester (70 Oxford Street, RNCM, Central Library, Anthony Burgess Foundation,Instituto Cervantes, Apotheca Bar and Gullivers), introducing the world of short film and its practitioners to new audiences and creatives that are like us, just fanatical about Short Film!

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During the week-long festival Kino will showcase 230 shorts and animations from more than 50 countries. Taking the audience on a journey to meet Spanish romances between plastic and flesh, German Mockumentaries and dancing neurons from the USA, there’s absolutely something to please every eye, something for everyone, even the novice short film viewer will be entranced.Panel discussions, networking events and a special programme for children are also to be expected.

The festival is Manchester’s longest running Film Festival (founded in 1995) and is operated by Manchester International Film Festival® – not to be confused with Maniff. With Manchester Film Festival taking place the week after Kinofilm,it’s an exciting fortnight for Manchester film culture.

MANIFF
Despite the lack of funding, Kino continues to share its love, passion and knowledge of short film to the community of Manchester, and is the cheapest festival in town offering great value tickets from just £3. With a number of free screenings and education events at selected venues, Kino is the only festival to offer absolutely ‘Free’ Tickets to the unemployed (proof will be asked for). There will also be several competitions leading up to the festival with free tickets given away via Twitter so do follow our tweets @Kinofilm.
Quote from the Festival Director John Wojowski:
“ We’re absolutely delighted that we’re able to bring Kinoflim back for it’s 13th edition to offer the community of Manchester 7 exciting days of Short Film culture. Yes, it’s no doubt been a struggle to produce a festival without any form of public funding but once again, we’re back! With an absolutely exciting and eclectic selection of short films from all over the world,we hope the local community will join us on this remarkable journey into the world of short film”.
Quote from the Festival Manager Ann-Kathrine Kværnø:
“As a filmmaker myself, I’m really excited to be part of a platform that is truly dedicated to promote emerging filmmakers in alternative spaces.Our aim this year is to get closer to new audiences and local communities which is why we are screening the film in alternative quirky spaces”

Independent Film Enterprise: G&S Productions

M20 worked with these guys at our Live in the Village event in November 2014, and they produced an excellent short video on the event – so we know they can deliver professional results for projects with social and creative purposes!

Here’s a little bit about them from one of the team Will Plastow.

Gravel & Sugar Productions is a new independent film production company serving Manchester’s creative community. Bringing together an international team of award winning and festival-shortlisted filmmakers we aim to be distinctive, collaborative and creative in every project we take on.

To put it simply, we work closely and creatively with our clients to see their vision through from conception through to delivery – be that a live music film for a band in the Northern Quarter or a street performance with a cast of a hundred for a University research project in Uganda (actual examples).

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(Above, holding boom mic: Will Plastow)

All members of our team have received filmmaking training to postgraduate level in addition to experience in professional videography and post-production. We’re passionate about making films both we and our clients can be proud to put their names to. Gravel & Sugar Productions specialise in live event and musical performance films, artistic music videos and documentary shorts.

Email or call us and we’ll talk about turning your ideas into reality.

GNS crew

Above the G&S Crew

Follow them on: www.facebook.com/gravelandsugar

Check out www.gravelandsugar.com

OR email: gravelandsugarproductions@gmail.com

JOIN THE BBC THREE PLAYGROUND

BBC3 and Latimer are looking for you creative lot to get involved with this exciting collaborative project. M20 collective love this idea and are supporting the project by giving our followers the news. The team at Lorimer got in touch so we could spread the word on how to get involved, its your last chance with 48 HOURS TO GO. So read below to find out more and show them what Manchester have to offer!

It’s time to have fun and #JoinThePlayground.

Are you eager to have your voice heard, ideas seen and the chance to get your content commissioned? Then you need to #JoinThePlayground. The Playground is BBC Three and Latimer’s pioneering creative network, set up to help young creatives, all sorts of talents included, develop their work and put it out for the world to see.

In the Playground you’ll be set weekly live briefs based on content broadcast on BBC Three, to which you should respond with complete creative freedom. Upon receipt of your content, you will get weekly feedback from BBC Three and Latimer.

So, whatever your talent may be, we’re looking for it:

Film
Fashion
Comedy
Music
Tech
Design
Content creation
Writing

and everything in between!

If your application is successful, you will gain unprecedented access to a national youth network of brilliant young minds, have the chance to be mentored by industry professionals, and get your voice heard, all whilst co-creating the future of content for BBC Three.

We welcome applications from young people from all social and economic backgrounds, regardless of your race, gender, sexual orientation or religion we want to hear from you. So if you think you can rise to the challenge, the gates are now open for YOU to share your ideas and get the feedback and creative mentorship you deserve.

To apply, please send an email with the following:

Name

Age

Gender

Location

Main interests

Ethnicity 

Social media

Contact number

We also require a response to one simple but open-ended phrase:

“I am me because…”

You have creative control over how you respond to the statement above – we want to see videos, photos, print designs, the whole sha-bang. So think big, creative and surprise us!

Send applications to talent@latimergroup.org

You must be between the ages of 16-25 and based in the UK.
Application deadline: 18th December 2015

If you are successful you will be required to attend an exclusive launch event at the BBC in London on Monday 11th January.

The Sessions of March

We got some inside info on one Manchester’s most exciting collaboration projects, and you know M20 collective are all about collaboration. Kris Extance tells us all about The Sessions of March…

TSOM

Header image: Jenna and the G’s

What is TSOM to those who are not in the know?

TSOM is a collection of live music & video recording sessions that took place during the month of March 2015. There are roughly 24 artists involved, with around 80 tracks recorded. It is a snapshot of the phenomenally diverse and talented independent creative scene in Manchester. There is huge variety within the sessions ranging from acoustic singer songwriters to gypsy-punk bands to 9-piece dub bands to cosmic dross space adventurers and that is to describe but a few! There are even a few special one-off improvised collaborations and special renditions of existing material involved as well. In essence, it is a collection of music we love that we want the world to see.

Who makes up the TSOM team?
Myself [Kris Extance], as founder/organiser. Audio recording and production was done by WR Audio, which consists of Dan Watkins and Biff Roxby, working alongside the video guys from Midnight Sounds headed by Dan Jones and accompanied by freelance camera man Matthew Jones. We also have Jason Badiozzaman on board, who is helping with social media and post-production organisation.

How did you come up with the idea?
Up until the beginning of this year, I had been involved with a unique music venue for 5 years and was the General Manager for the final 3 of these. The venue’s history is quite unusual, with constantly evolving family of creative individuals working tirelessly to make a place like no other. A place that supported local talent in all its variety, and a place where like-minded creative individuals could meet and enjoy the music and art they loved.

Our ethos was to support local talent and put on eclectic parties like no other venue. It was one of those places where if you didn’t look up what was on you would never know what to expect. To be honest, even if you did look it up you still might not have a clue! It was as grass-roots as you could get, with too many people to mention who were crucial in its set-up and running virtually all artists and musicians. The tag line I used whilst working there was ‘for creative people, by creative people’. Like a lot of independent businesses, we soon realised that in order to make a living for ourselves, we needed to have a balance between what we truly believed in and what would generate income.

We successfully managed to achieve a balance we were happy with, however at one point due to various reasons we suddenly lost a lot of creative control. We felt like our ethos was being compromised, and we had put too much into the venue to just go on and allow this to happen. The difficult decision was made to walk away from the project, taking our ethos and everything we had learned with us. It was at this point the sessions plan was formulated, everyone had put too much into the venue to walk away without doing something special!

I wanted to create a snapshot of why we put so much into the venue and what we most enjoyed about it, the music! I contacted WR Audio, who had become firm friends through working with us at the venue, and Dan Jones had worked in the venue alongside me already. We put together a plan of action and both teams agreed to do this for “mates-rates” despite being professional outfits, just because they believed in the project and why I wanted to do it. The initial team was formed and I organised as many of our favourite acts we had discovered through the venue into a month of recording sessions.

MONEYSHOT

What is the ‘ mantra’ behind it, so to speak?
Respect for independent musicians in all their variety. To help good people, who make good music, for the right reasons; mainly because they love doing it.

Why do you think it is important for the Manchester music scene?
For me, it’s the showcasing of such variety and talent all in one place. It’s why we used to love the venue initially, because it allowed us to put all the local talent we loved in one building. You can find so many amazing scenes in Manchester however; finding something that links all these scenes together is a much harder task. I love going to events where there is something for everyone, and I hope in the sessions this is the case as well. I also think it’s an important way of helping people discover new independent music. You may look to find one thing, but discover something else as entirely.

How have you developed a personal passion for music?
I love how music can make you forget all anxiety and worry. I love that if the right song comes on, especially when performed live, the world ceases to exist and you are in a serene moment of appreciation and awe. The huge diverse nature of music is incredible, and I feel it is one of the most important and beautiful forms of expressions there is. I play bass myself, and have always been in bands since the age of around 15. Although I have never considered myself a musician, it has always been a hobby not a profession. For the last 5 years or so, I have been surrounded by musicians who surpass my playing in every aspect and I’ve become more a music facilitator. I’m able to get to know a huge creative community both on and off stage, which has been – and will continue to be – something special. I have spent all my time trying to help the people who make music I respect and appreciate, because I want to hear more of it and I want more people to hear it too. I have never claimed to be a musical expert, but I know one thing for certain: I love music and my passion for helping music happen has done nothing but grow and grow. Music brings people together, and allows them to communicate through a beautiful universal language and that is important in this day and age more than ever.

How did you manage to recruit all of these musicians to participate?
I am lucky enough to call most of these musicians’ friends who I have got to know throughout the venue over the years. It was simply a case of calling them up and explaining the reason for the project. We were fortunate enough that everyone loved the idea and wanted to support it by taking part. I could not have more respect for all those involved!

redeyehifilive

Red Eye Hifi LIVE

What does collaboration in music mean to you?

Collaboration in music to me means a world of exciting possibilities of communication through sound. When a person plays their own music, they are expressing themselves and their ideas openly. Collaboration in music is a beautiful moment where people come and express themselves and their ideas together as one. It is a way of bringing people together from any background for a united purpose.

What is the most important outcome for the project?
The most important outcome is that as many people see the music as possible. I hope people discover new music through this project, and it gives some form of exposure to incredibly hard working independent musicians who deserve it. They have made my life so much more enjoyable over the last few years and I want to return the favour.

Noon – ‘I wish I knew how to sing’ live video

Anything else you’d like to tell us about TSOM?
We are also going to try and use this first set of sessions to raise enough money to do a second set of sessions. This will most probably be in the form of a Kickstarter. We didn’t come close to capturing all the artists we wanted to cover in the first round of recording. Due to popular demand by the musicians, we also have a long-term plan to turn this into some form of live event. So please, if you like The Sessions of March and the reasons behind it, then please support us in any way you can as it would mean the world to us.

Follow the journey on facebook: The sessions of march

Interview by Yemi Bolatiwa

As We Are Away: 20th-30th November

Natalie Proctor previews the nous magazine/As We Are Away festival, taking place around the city 20-30 November

How lucky we are here in Manchester to have so much creativity on our doorstep! No matter what the artistic genre, there is always something going on in this vibrant northern city. This diversity of talent is something that self-established Nous Magazine champions. The magazine is a relatively new enterprise, which has a unique focus on ‘contemporary mind culture’. In collaboration with As We Are Away, the magazine has created a mini-festival for all things arty. AWAA is an art project with a difference, focused on overcoming the cultural stigma around mental health. The festival hopes to inspire us to think differently about mental illness, and learn to become more open and understanding about something that affects thousands of people across the UK.

The event, which goes on until the 30th November, will host a variety of acts throughout the creative sphere. Each night focuses on a different collection of some of Manchester’s finest artists, poets, musicians and directors. Whatever you may have an interest in, the AWAA mini-Festival will surely have something to spark your creative interest.

What makes this event even greater is that it’s free! Although donations are extremely appreciated, and do go on to ensure that these kind of fantastic events may continue. You can even buy an 11- day ticket that gives you access to all the events running for just £5.50. That seems like a bargain to me! We here at M20 would also strongly encourage you to make this donation, as we fully believe it is vital to support the arts to the best of our ability. Without such contributions we would find it hard to maintain the wealth of opportunities on offer for Manchester creatives.

So what’s on? Well, if you’re interested in poetry, there is Tea Hour Poetry on 25th November, which is sure to offer a plethora of new and old talent; including established writers like David Hartley, who we interviewed in October. This will be taking place at the trendy Northern Quarter café The Koffee Pot. Certainly not one to miss!

There is also a lot to offer in terms of music. On Thursday the 27th, the night As We Are Here will host some of Manchester’s most exciting up and coming bands and artists. The live music will continue into the evening at the Eagle Inn, and there will be a variety of sounds from the likes of Second Shepherds, POST and Locean.

If you fancy a little slice of the Cannes Film Festival in Manchester, then why not head over to the concluding night of the festival, curated by Cultivate Film Art. This evening will present some critically acclaimed foreign films, which may perhaps may a nice change from the outlandish Hollywood blockbuster. The documentary film ‘Black Sun’ (2005) by Gary Tarn tells the dramatic story of French artist Hugues de Montalembert who finds himself blinded after a violent attack in New York. It is a moving piece of cinema that is sure to strike a nerve. Also showing is the 1970 film adaptation of the novel ‘Valerie and Her Week of Wonders’. This erotic horror is somewhat otherworldly, and definitely different to what’s out there in the box office!

The festival has plenty more to offer so check out the website for a full list of the events coming up. And remember, the festival ends on the 30th November so don’t miss out. Keep supporting the arts.

Natalie Proctor

Email: hej@nous-magazine.de
Website: www.nous-magazine.de
Facebook: www.facebook.com/nousmagazinemanchester