Tag Archives: Live Music

Getting to know Lyons and La Zel

Given that we’ll soon be hosting this marvellous duo, we thought it fitting that we caught up with them and shared with you, what they do, who they are and why exactly M20 booked them for this FRIDAY 19th gig at AATMA.

So, Lyons and La Zel let the people know what it is you guys do and how you do it?

(James Lyons) Hello!  Léa (La Zel) sings and raps over music created by me beatboxing and playing instruments at the same time.  The majority of our stuff is based around guitar and some of it is flute and harmonica as well.

Tell us a bit about some of the best live music experiences, that you guys have played?

(James)  We did a DIY tour around South East Asia from November 2015 – May 2016 and played just under 60 gigs.  Lots of the performances there were by far the most inspiring and enjoyable as we got to play in some beautiful locations and to people from all around the world. It’s one thing to have support for what you do locally, but to find out that people from all corners of the earth enjoy it is a beautiful feeling! 

lyonsandlazel

(Léá ) We’ve had some really fun gigs at festivals such as Glastonbury, Boomtown, Eden, Solfest etc but a highlight has got to be when we played on the main stage at Beat Herder festival last year to a massive crowd on a big booming sound system. That felt amazing! We’ve also had some really nice times busking to the public in different cites and met some proper characters through that.  

Léá – Who are you top vocal inspirations?

My sister Jules from the band ‘Rumjig‘ has been my biggest inspiration and she has always encouraged me to sing and I love writing songs and harmonising with her. Then, incredible artists such as Sharlene Squire, Aretha Franklin, Esperanza Spalding, Bobby Mcferrin, Nai Palm, Dallas Tamaira, Erykah Badu, Sona Jobarteh, Stevie Wonder, Nina Simone, Marie Daulne and most recently an amazing Swedish artist called Fatima have also massively influenced me. 

James, how and when did you realise you were good at the old beatboxing, to the point that it is now almost your secondary instrument?

My first dip of the toe into music was learning to rap when I was twelve, and I used to hang around rapping with some of my friends and we started to beatbox through this.  I never took it ‘seriously’ until around five years ago, when I started to go out busking.  Through experimenting on the street with flute beatbox and harmonica beatboxing, and the response that I got from it, I started to realise it’s potential for reaching out to people from all walks of life, and how satisfying it is as a musician when combined with playing instruments at the same time.

Are there any running themes in your lyrics, style, musical message?

Musically, we like to experiment and blend together elements from all of our favourite styles, and in terms of lyrics, I think we try to write things that are mostly uplifting and thought provoking. 

What does working and living within the music scene mean for you both?

We’re both very lucky to be able to earn a living from doing what we love which has also led to us meet multitudes of incredible and inspiring people.  As well as playing live, we both also teach music workshops (I teach rap and beatbox, Léa teaches singing), so being able to perform and then pass on the skills to other people, is greatly rewarding. 

lyaonsnlaz

What was the best thing you LAST saw live?

(James) I’ve seen Victor Wooten twice over the last couple of years and those shows are by and large the best displays of music and showmanship that I’ve ever been witness to, he and his band are phenomenal musicians.

(Léa) We saw Fatima play in Constellations 3 weeks ago and she totally blew me away with her powerful yet sweet, fun loving, stage presense. The Eglo band who back her were incredible musicians too and she made everyone at the gig feel empowered and filled with love. It was very special indeed and I can’t recommend her ‘Yellow Memories’ album enough.

Any acts out there that you guys want to give a shout out or pay homage to?

First and foremost we have to shout out to “The Fire Beneath The Sea”, which is the band that we both first played in together, that led us to developing this duo.  Also shout outs to “Rumjig”, fronted by Léa’s sister, who Léa moved up to Liverpool to be a backing singer for.  Both of those bands have new releases out at the minute which we are very excited about.  Massive thanks to everybody else that we’ve played with, jammed with and been inspired by, there are far too many people to list them all here!

Any exciting projects or gigs coming up?

We have a new project in development at the minute that features us both as vocalists, backed by a ridiculously tight, four piece band, playing jazzy, funky hip hop.  It does not have a name as of yet, but we are putting together the finishing touches to our first EP that will be released in a few months time, so please keep an eye on our social media for further news on that.

Where can we see and hear more about you? 

Our main point of contact is through Facebook, which is  http://facebook.com/lyonsandlazel

We have a lot of videos up on youtube, but are currently writing lots of new material that will be going up in video form VERY SOON!

https://www.youtube.com/lyonsandlazel

We are also building a website at the minute which should be going live in the near future, to support the release of our debut EP, which is currently being mixed and will be out in the next couple of months.

For any other enquiries, our email address is lyonsandlazel@gmail.com.

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The M20 Collective X-mas no. 1 competition with ALL.fm, is back!

Winter is here and Christmas is coming. As the dark winter evenings set in, we all find ourselves looking for things to do with our time (don’t we?). The festive season can often be repetitive; the annoying same ol’ same ol’ especially when it comes to crimbo tunes. So, we’d like to spark some creativity again this year in the name of original music and community collaboration.

We’re going to push a local X-mas no.1! All you need to do is create an original X-mas song and submit it to us for the chance to sing LIVE on local radio station All.fm. This can be comedic, cynical, jolly or otherwise as long as its to do with christmas. The more unique the better, but we’re also looking to make connections with some really great local talent with this opportunity.

Submissions open 21st November 2016 – so get writing!

Terms and conditions do apply as follows: Continue reading The M20 Collective X-mas no. 1 competition with ALL.fm, is back!

Ask no questions tell no lies: An interview with Ask My Bull

Just ahead of their EP launch, in case you’re not yet convinced that you want to see, encounter or listen to these musicians, we asked their bull some questions and got some answers.

So where is the Bull I can direct the questions to lads?
Next question

 What was the decision behind the band name?
A friend of Fritz once misheard him and thought he was saying Ask My Bull, while he was actually referring to his uni tutor Mike Bull. Now we’re making up for that mistake and are again often mistaken for Ask My Ball while shouting our name to the audience during and after gigs.

So Ask My Bull, how did you get together as musicians?
We congealed in Fritz’ house one musician at a time. You know congealed, like when Mayonnaise has been left on a pizza box for a couple of weeks and it’s now gone hard rather than being soft.

Actually it was only Alex and Fritz in the beginning who had the idea of playing with different guest musicians for different songs. We got as far as Luc on saxophone and Tom on bass when we realised what this did for the overall sound of the band. Elliot filled in for Luc a couple of times when Luc was travelling. We ended up playing and writing a lot with Elliot and decided to have them both as soon as Luc was back. So we started out wanting guest musicians, but kept most of them in the lineup. That’s why Tom Moon on trumpet is appearing on the EP and there might be more collaborations in the future, though the core of Ask My Bull is pretty clear.

How do you go about composing music?
In the beginning Fritz had already written a lot of songs and often the guitar was used as the general foundation. Sometimes that can be a whole tune and sometimes the chords or a riff. That creates a certain mood and in the practice room evolves further and is strung together in interesting ways. It basically starts from one idea and is then free for everyone to play on top of using their imagination.

So far a big part of the writing process has been that all the musicians have joined Ask My Bull one by one, so that for most of the songs everyone has written their parts at different times. Powder Keg and Magpie Manoeuvre came from jams though, and jam definitely congeals. I guess we have a theme there. Congealing music.

 I am feeling some Punk influences in here and I hear some Eastern European/Gypsy Jazz influences too. If you had the choice of tight leather trousers and a gimp mask or an eccentric colourful jacket and silk scarf combo, what outfit would you go for and why?
The problem with gimp masks on stage is that it can often ruin communication and the saxophonists will have trouble playing. Except for Tom who hates communication and wants to be an anonymous machine who doesn’t have to look at any of his band mates who he doesn’t like to listen to anyway. Also no one would understand the emotion of the other musicians by looking at their faces which would result in less overall dynamic cohesion between them, except for Alex who registers emotions on peoples’ elbows.

 Your friend once described listening to your music as being like the mathematical mind of Mickey Mouse playing chess with a sledge hammer. What was he on and where can I get some?
That is our number one fan and cameraman Joao Meirinhos and the substance he was on is just his own genetic material. It’s a bit difficult to get you some, but he does donate his sperm on a regular basis. Which means you could make one that’s kind of like him, but you’d have to wait for it to congeal first.

                                      Above: Ask My Bull Teaser by Joao Merihnos

 No seriously, how do you like to describe your sound?
“Just don’t, we like other people to try. It’s certainly funny to ad up people’s weird attempts.”

“I like to describe it with my body rather than my mouth, because every time I describe it I come up with this boring list and in the act of describing, people lose all interest and I lose all interest in saying it.”

“Trying to find the middle ground between things that are not on the same scale.”

“Rock Fusion with a sense of humour.”

Ask My Bull started as a power duo which was loud and erratic. Once we expanded to the bigger lineup we wanted to keep this big Punk Rock energy, but were really interested in all other genres apart from Rock, like Jazz, Math, Prog, Video Game Soundtracks, Gypsy/Balkan, Afrobeat, Trip Hop and Breakbeats. So we basically try and bring a Punk energy to some of those genres and also blend them together, preferably in the same song.

ask my bull alex and fritz
What song were you humming in the shower this morning?
Powder Keg. 16 tons. Rolling Stones. Didn’t shower. Hyper Sweep. We actually try to stress the saxophonists out with the songs so much that they can never get them out of their heads. So it’s good to hear that this is working, as they were both humming Ask My Bull tunes.

 If you were to be eternally delayed on the M60 between Prestwich and Middleton and only had one cassette, what 10 tracks would you have on it?

Ask My Bull EP twice 😉

No, seriously.
Ask My Bull EP once normal and once reversed.

Okay, now for real.
1. Richard Wagner – Tristan und Isolde Prelude
2. Mr. Bungle – Ma Meeshka Mow Skwoz
3. Tortoise – On the Chin

tortoise on the chin
4. Quantic – Time is the Enemy
5. Nobuo Uematsu – Cait Sith Theme
6. Madvillain – Rhinestone Cowboy
7. Glaxo Babies – Christine Keeler
8. Portico Quartet – Zavodovski Island


9. Venetian Snares – Hajnal
10. Too Many Zooz – F.W.S.

Who should we be checking out on the local Manchester scene?
Dirty Flowers
Luna Marada
Turf
Lucy Mae
Apes Grapes (who will be supporting at the EP launch)
Salutation Dub Collective
Henge
Shyfinger
Galivantes
The Peace Pipers
Psychedelic Pirates
Kalakuta
Esmegma Jazz
Salvador Dalai Lama Farmers

What can we expect from the EP launch?
We’re gonna play some songs and you will definitely get a definition of our sound that we might have failed to describe in question 7. And we’re gonna sell the EP. There will be Tom Moon on the trumpet. Live music that’s different. No vocals. Make sure to check out Apes Grapes, who are fucking awesome. Unusual stuff basically, that you wouldn’t find at every concert, like fortune tellers, face painters, visuals and performance of some sort. We wanted live bulls, but we can’t get them up the stairs, so we’ll have loads of invisible animals instead. There’s also a chance of the real Mike Bull turning up.

ask my bull EP artwork

                                Above: Real life, hard copies for purchase on Friday 4th March

What does the future have in store for Ask My Bull?
Eventually we’ll all die 🙂

We’ll have more band members and still be playing the same tunes as two years ago, but with more instruments and a greater arrangement. We basically intend to never play any more songs than we already do. We might have a DJ set and remixes of our tunes. An all acapella version with everyone humming their parts is feasible as well as a session with Ask My Bull songs arranged for five guitars. Some of this might be lies, some of it are definitely good ideas 🙂

We got invited to do a session with Samsara Sessions in February and will record a live video with them. Also, we’re on the list of The Sessions of March.

TSOM.jpg

Artist Review: Lucy Mae

We’re always looking to keep up to date with whats going on in the local scene, and picking up on original music cultivation in the area is very much on the top of our list of what we want to support. This originals projects has a sense of revival to it, jazzy blues and swing, and it’s definitely a good thing!

We first encountered these guys via the ol’ social media, whilst looking for acts for our canal street event Live in the Village. Lucy, Luc Phan and Alex Martin of Ask My Bull graced the audience with jazz almost year and a half ago, and even now these musicians who currently go under Lucy Mae and are still on our radar.

mudez2

The umbrella of projects is lead vocally by Lucy- Camba-Bermudez. Her voice has an air of arousal, with a rustic edge on a foundation of broken blues. She’s accompanied by a bountiful brass section, Soprano Saxophone (Ed Kainyek) Tenor Saxophone (Caitlin Laing) and Baritone Saxophone (Tom Harris). With Christian Van Fields (Keyboard/Organ), Luc Phan (Guitar), Joshua Cavanagh -Brierley on Bass, and Joe Wood on Drums . The potential of this outfit not to be doubted and we’re keen to see what 2016 will bring for them. The Mudez Project is the latest musical venture consisting of traditional jazz-swing in it’s more modern state; re-instilling the importance of classic musicality.

One track in particular ‘ State of denial‘ encompasses the sound at its most triumphant.

Another of the projects is a duet between Lucy and Luc (see image below), which sees the couple come together in a stripped back acoustic style, that silences crowds. Listen to more here: with this smooth rendition of Portis head’s ‘Give me a reason’.

lucy mand and luc phan.jpg

These guys have got to be some of the most dedicated and  active musicians in the area and you’re bound to see them on a live music line up in chorlton or the city centre whether its putting on their own music or providing a platform or house band for others. Revivalist, methodical and passionate Lucy Mae are doing what we (M20) like to see! Making music, movements and keeping the live music scene a-thrive!

Click here to watch their latest video “Through You” and check out more about this collage of musicians on their Facebook page.

You can also watch them for real! at their residency at The Lodge at Richmond Tea Rooms every Saturday, it’s an Alice In Wonderland themed bar that’s part of the Tea Room or experience the sound on Sunday 21st Feb at Hold Fast Northern Quarter and many other places for that matter! we’re spoilt for choice.

Catching up with Johnny Sly

Johnny Sly are one of the bands we (M20) have seen emerge and develop over the last two years – and not to sound biased, but we’re very fond of them! We worked with them in their earlier days when M20 were doing regular Solomon Grundy events and local gigs, and they just keep moving onwards, upwards and side ways (quite literally as they get bigger and bigger as an outfit)! It was great to catch up with them on their movements of the last year or so and the Sly journey, thus far.

Tell everyone a bit about yourselves, the story till now…

Jonny: I think the band grew like a plant in that it started with one seed and each new element was a natural progression but also an evolution, so it was organic and no-one feels responsible.

Jack: Jonny started playing and writing music in Brighton when he was lil, and then when he came up here he started playing open mics on his own. Me and Aeve joined three years ago – we used to practice in this little basement room in some upmarket uni halls we sneaked into. It was really echoey and we’d go there at night and get weird. We were a funny lil’ threesome, not quite sure what we were doing, but we managed to get some gigs like Antwerp mansion and open mics.

Aeve: We recorded a video for Mosaic Sessions on this really nice sunny, autumn weekend on Salford Quays. These guys on pit bikes kept appearing on the horizon every time we’d start a take and steadily get closer and louder until all you could hear was engine revs, and we’d have to start all over again. We all look really sad in the video because we were trying to look like serious musicians. But we loved it! Some people in a high rise flat clapped out of their window at the end.

Johnny: Although there are nine of us now it doesn’t feel like an ensemble – it still feels like a family – and that’s because we’ve never really sought out new members, they just seem to come along and it fits.

johnny sly2

 

You performed on BBC Radio 4, how was that?

Aeve: It was great because they gave us breakfast and I got to play a Steinway. We all got really pissed afterwards in the BBC bar and Jack was flirting with Joan Bakewell for ages. And we gave Jennifer Saunders a CD as a christmas present! It was all very surreal and giddy.

Jack: And we met duke from Tracy Beaker! He was a very flamboyant man, I never knew. I remember we watched back some footage that our friend Arthur had video’d from the sound booth and having this realisation that we sounded so much better than we’d heard ourselves before, recorded really clearly, and together and live. That was where the idea for our new EP came from.

What’s been your favourite gig to date, anywhere?

Jonny: We loved Berlin this summer because we were introduced to lots of interesting, creative people who showed us an inside view of the city. We were lucky enough to stay in a beautiful apartment and played a really nice set to an audience of mostly horizontal people. There’s a sense of freedom in Berlin which is inspiring musically. You can drink beer in the street and then put your bottles by the side of the road and people looking for pennies pick them up and recycle them for you. It’s better than some uniformed bruiser tipping your bottle down the drain just because you’re too poor to go to a pub. We saw a rainbow there in the sky with no clouds around it and it looked like the sky was smiling. I have no idea how it did that.

Jack: Also Amsterdam – we felt like we’d dropped into the coolest place to be with these great people that were all creative and cool and way more organised than us. It was inspiring. And sunny. It seems a long way away right now…..

Aeve: Special mention needs to go to Mischief Festival, who booked us way back when we were a three. It was a very strange vibe, really small and everyone looked like gangsters or pirates. At one point we played Deja Vu and the bass from the main stage was bouncing perfectly in time with us. It was a little adventure.

What about in Manchester?

Aeve: We’ve had some really special gigs in the last year or so, it’s so hard to pick a favourite! But one that really stands out is the gig we did at the Roadhouse [R.I.P] before it closed down last January. We put a lot of energy into promoting it, and had two of our favourite Manchester bands supporting us: Kolo Tamam and Oh Man, The Mountain. Loads of people came down and there was a really great vibe, and we all wore wacky hats on stage which is always a winner! We were all on a massive high after that gig, it was loads of fun.

Tell us about the New EP then

Jack: The EP we released last year, Lost Thoughts, was all recorded in my bedroom, with all the parts laid down one by one. It was a cool process, and one I’m really proud of in retrospect, but at the time it felt frustrating. Sometimes the parts just didn’t move together and mixing it all felt like tricks. That’s why we wanted to do this new one live. For me it’s a mystical thing – I just think you can feel the magic of it all being played together, in the pauses and the lifts. And this way we didn’t spend hours getting each take perfect, we had the weekend, and at the end of that weekend the product (and then Andrew Glassford spent two months mixing it… Thanks Andrew!)

johnny sly lost thoughts.jpg

(Artwork for the Lost Thoughts EP released Nov.2014)

https://johnnysly.bandcamp.com/album/lost-thoughts-ep

Jonny: We recorded videos of the live tracks, which we’re releasing one by one. They were stressful at the time but there was a real sense of focus and emotional energy, and although we were all worrying about the little details, I think we took for granted that we were playing a set that had been honed over many months of consistent gigging in Manchester. Our bodies knew what they were doing and the pressure just added to the ‘pizazz’….

Do you have a favourite Johnny Sly tune?

Aeve: I am really in love with White Light, White Lies from the new EP. It’s just got such a lovely groove and makes me go ‘mmmmm’ inside. I’ve always been drawn to chilled music though so I think the feeling of this one just connects with me more than some of the others.

Phil: Totally agree with Aeve. Also really digging our latest song ‘Tryer’ but it’s not yet on record, so you’ll have to join us for a gig to hear that.

Oli: My fav is probably Remember, from the new EP, cuz it’s f****** epic and ends with a bang and I like bangs because I’m a drummer!

How do you guys write your music?

Aeve: Jonny has always been the songwriter, because of the way the band has grown from his solo project. Essentially, he writes his guitar parts and vocals, and then we all mainly write our own parts. But there is always lots of collaboration and discussion: someone will have an idea for how I could play a part on the keyboard, or one of us will find a harmony for someone else, or Jonny will already have an idea of what he wants someone to do in a certain part of a song. So it starts with Jonny’s parts, then is just a process of trying out different things and sharing ideas for the rest of us!

Who are the biggest influences of the band?

Rosalie: Each other! We all have such varied influences and we share them all.

Any local inspirations, bands killing it in the scene (or off the scene)?

Jack: We’ve already mentioned our band brothers / sisters Kolo Tamam and Oh Man, The Mountain, they are both great in different ways. Pareidolia – they’re a bit like us if we were cooler and less weird. John Ainsworth and Rosalie 23 are honestly two of the best and most original musicians I’ve ever seen. And honey feet. I saw Honey Feet play after us at The Hotspur Press once and they were amazing, upbeat fun, with a mama-jama, diva of a front woman with an insane voice. Further afield Cousin Kula are releasing some insane live videos of their new material at the moment – its Snarky Puppy meet Syd Arthur meets Riot Jazz. And The Mouse Outfit, they have some freshhhhh hip hop sounds that I can’t quite believe are from where I’m from. Gigging and attending gigs can be exhausting and sometimes I forget how lucky I am to have seen and heard musicians like these guys. And Arctic Turn, our bassist Phil’s solo project. I feature on a track of his called Bait and he’s got it on the Tom Robinson playlist on 6 music. Great work Phil. We’re going to record a music video where we throw gross stuff at him in slo-mo and he plays the song. I’ve got a cameo in it but I don’t know what to wear… (video now released see below).

If you could describe Johnny sly as an animal what would you say?
Phil: Some kind of flying iguana mongoose. Next question.

See and hear more of Johnny sly on any of these below links

http://www.facebook.com/johnnyslymusic
BUY their new EP here: https://johnnysly.bandcamp.com/

 

BASEMENT SESSION #5… Plume // Chris Jam // Gilberto Da Silva

Join us for the latest chapter of M20COLLECTIVE’s new weekly creative sessions in the Northern Quarter…

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It’s thursday again and you know what that means! Back to the Basement.

This week we have an eclectic trio of acts making their first appearances in the depths of Montpelliers. Come and warm your soul as the winter closes in.

acts

Plume

A four piece trip hop group based in Manchester that have a distinctive sound influenced by electronic textures, the band fuse hip hop grooves and lush vocals to create and immersive soundscape. They only named their band this week but you may find recordings sneakily leaked onto youtube without a tag. The quality of musicianship and attention to flow is clear. With the experience of The Mouse Outfit and 8 GOLD RINGS drummer Joe Luckin and the raw talent and emotion of singer Caroline Hendry I expect big things for Plume.

Chris Jam

Enthralling spoken word and slam poet whose charm and wisdom proceed him. Also a really good bloke who does great work in the community using his knowledge and skills to energise youths.

Gilberto Da Silva

Fresh back from a year in France Gilberto has teamed up with Johannes Samland Bowling the saxophonist from Pareidolia and others to work on material. Building on the soul vibe of his last project The Shaded Arrows Gilberto has progressed his musicality. M20’s answer to Seal, with this new band format we expect Gilberto will be tearing up the Manchester music scene this Winter.

details

When: Thursday 23rd October, 8pm

Where: Montpelliers Cafebar, 42 Back Turner Street, Manchester M4

How much: £0!

Basement Sessions #5 on Facebook

See you in the basement! M20 x

BASEMENT SESSION #4… Rik Warren(Walk/Honeyfeet) // Jim Adama // Seamus Martinez & Emma Martindale

Join us for the latest chapter of M20COLLECTIVE’s new weekly creative sessions in the Northern Quarter…

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This Thursday M20Collective is back at the Montpelliers Cafebar, bringing the best of Manchester’s creative men and women directly to you. This week we are back with a BIG one featuring the best blues and folk acts in Manchester. This will also be the first week in which we   record the sessions for a mixtape and videos. We aim to launch in February to raise funds for the M20 Creative Youth Project (MYCP). Come one, come all, this one is not to miss!

acts

Rik Warren

Without doubt one of the finest blues singer songwriters you will find in Manchester at the moment. An integral member of Honeyfeet and lead man in Walk (both signed to DEBT Records),  Rik is at the top of his game at the moment. His laid back stage presence, pure vocals and spotless musicality make him one not to miss.

Jim Adama

If you are looking for rip raw, finger bleeding, bottle neck blues; look no further. Highly visceral boogie style blues to tear up the basement.

Seamus Martinez & Emma Martindale

This duet influenced by the Irish folk tradition will warm the coldest of hearts. Their straight up and honest approach to music is both refreshing and alluring as is their evident friendship whenever they play.

Plus more acts tbc

details

When: Thursday 16th October, 8pm

Where: Montpelliers Cafebar, 42 Back Turner Street, Manchester M4

How much: £0!

Basement Sessions #4 on Facebook

See you in the basement! M20 x